Sony VENICE 6K Full-Frame Cinema Camera

Sony VENICE 6K Full-Frame Cinema Camera. Full-frame digital cinema camera with phenomenal colour science and creative versatility. An ultra-wide colour space, full-frame flexibility and a high-speed read-out for LED synch make VENICE ideal for Virtual Production. VENICE is a cinema camera created by and for the cinematographer. It’s equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality.

 

 

 

 

Who is it for?

 

The Sony VENICE 6K Full-Frame Cinema Camera is a high-end professional cinema camera designed for full-frame 6K filmmaking, television series, commercials, music videos, documentaries, and top-level commercial productions. This camera is created for cinematographers, directors, and professional production teams who require maximum image flexibility, extremely wide dynamic range, and a natural cinematic look.

 

 

Main advantages

 

 

• Full-frame 6K sensor with exceptional image quality
• Extremely wide dynamic range and natural colors
• Dual Base ISO sensitivity for difficult lighting conditions
• Cinema Line color science for professional filmmaking
• Supports multiple recording formats and workflows
• Interchangeable lens mounts and wide compatibility
• Designed for professional cinema productions
• Modular construction for flexible rigging
• Suitable for anamorphic lenses
• Reliable operation in demanding shooting environments

 

 

 

 

 

How does it perform in real life?

 

The Sony VENICE camera is designed to perfectly meet the needs of professional filmmakers. The full-frame 6K sensor delivers highly detailed, natural, cinematic-looking footage. The camera performs excellently in both bright highlights and difficult low-light scenes, which is why it is used in high-budget films and TV productions worldwide. Thanks to its modular construction, the camera can easily be adapted for various shooting scenarios – from handheld filming to complex cinema rigs, drones, and stabilization systems.

 

 

 

 

What should you pay attention to?

The camera is aimed at the professional cinema market
Professional accessories and recording solutions are required
Heavier body and more complex workflow than standard cameras
Professional post-production is recommended for maximum results
Large file sizes require high-speed storage solutions

 

Comparison with alternatives

 

Compared to other high-end cinema cameras, the Sony VENICE stands out with extremely natural colors, excellent dynamic range, and a versatile full-frame sensor. It is one of the most popular professional cinema cameras in the global film industry.

 

 

Is it worth buying?

 

If you are looking for a true professional cinema camera for top-level productions, the Sony VENICE 6K Full-Frame Cinema Camera is one of the strongest choices on the market. It is designed for professionals who value maximum image quality, reliability, and flexibility on set.

 

 

Frequently Asked Questions (FAQ)

Is this camera suitable for filmmaking?

 

Yes, the Sony VENICE is widely used for professional films, TV series, and commercial productions worldwide.

 

 

Does the camera support anamorphic lenses?

 

Yes, the camera supports anamorphic shooting modes.

 

 

Is this a full-frame camera?

 

Yes, this camera features a full-frame 6K sensor.

 

 

Is the camera suitable for difficult lighting conditions?

 

Yes, the Dual Base ISO system provides excellent performance in both daylight and low-light situations.

 

 

 

SPECIFICATIONS

 

Power Requirements: DC12 V (11～17.0 V); DC24 V (22~32.0 V)

 

Weight: approx. 3.9 kg (excluding handle, VF attachment, bottom cover)

Dimensions (height x width x length): 158 x 147 x 235 mm (excluding protrusions)

Imaging Device: 35 mm full size, single-chip CMOS image sensor

Imaging Device Pixel Count: 24.8 M (total)

Imaging Device Size: 36.2 x 24.1 mm 43.5 mm Diagonal

Built-In ND Filters: Clear, 0.3 (1/2), 0.6 (1/4), 0.9 (1/8), 1.2 (1/16), 1.5 (1/32), 1.8 (1/64) 2.1 (1/128), 2.4 (1/256)

ISO Sensitivity: ISO 500, ISO 2500 (Dual Base ISO)

Lens Mount: PL Mount; E-mount (lever lock type, without supplied PL lens mount adaptor)

Recording Format (SxS Memory): XAVC 4K Class480: 23.98p, 24p, 25p, 29.97p; XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; XAVC QFHD Class480: 23.98p, 25p, 29.97p; XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p; MPEG HD422 (1920 x 1080): 23.98p, 25p, 29.97p, 50i, 59.94i; HD ProRes 422HQ: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i; HD ProRes 422: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i; HD ProRes 422 Proxy: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i; HD ProRes 4444: 23.98p, 24p, 25p, 29.97p

Recording Format (X-OCN ST/LT) Required AXS-R7: 6K 3:2 (6048 x 4032): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 6K 2.39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 6K 1.85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 5.7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 4K 2.39:1: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p

Recording Format (X-OCN XT) Required AXS-R7: 6K 3:2 (6048 x 4032): 23.98p, 24p, 25p, 29.97p; 6K 2.39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 6K 1.85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p, 50p; 6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p, 50p; 5.7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p, 50p; 4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 4K 2.39:1: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p

Recording Format (RAW SQ) Required AXS-R7: 4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p; 3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p

Recording Format (Audio): LPCM 4ch , 24-bit 48-kHz

DC Input: XLR-type 4pin (male)

Battery DC Input: Square-shaped 5pin connector

DC Output: 12V: Hirose 4pin x 1; 24V: Fischer 3pin x 2

SDI Output: BNC x 4, (12G, 3G, 1.5G-SDI)

HD MONI Output: BNC x 1 (1.5G-SDI)

HDMI Output: Type A x 1
VF: LEMO 26pin

Audio Input: XLR-type 5pin (female) x 1 (LINE/ AES/EBU / MIC / MIC+48V selectable)

Timecode Input: BNC x 1

Genlock Input: BNC x 1

AUX: LEMO 5pin (female) x 1 (Timecode Output)

Remote inputs / outputs: 8pin x 1

Lens inputs / outputs: 12pin x 1